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Never afterwards will she forget the glance of gratitude that meets hers, and that lights up all his face, even his dim eyes, as she grants him this gentle pitiful caress.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.,

"As berries," says Mona, genially.,

"It was the last line," says Mona, in explanation, clearly ashamed of herself, yet unable wholly to subdue her merriment. "It reminded me so much of that speech about tea, that they always use at temperance meetings; they call it the beverage 'that cheers but not inebriates.' You said 'that warms but not illumines,' and it sounded exactly like it. Don't you see!"

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Whereat the boy smiles and grins consumedly, as though charmed with his companion's metaphor, though in reality he understands it not at all.,

"I have heard too much already. I won't listen to any more. 'Lady Rodney!' I dare say"—with awful meaning in her tone—"you have got a title too!" Then, sternly, "Have you?",

"And why not this or any other drawer?" says Rodney, growing pale. Again jealousy, which is a demon, rises in his breast, and thrusts out all gentler feelings. Her allusion to Mr. Moore, most innocently spoken, and, later on, her reference to the students, have served to heighten within him angry suspicion.,

CHAPTER XX.